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all New Orleans, Nicolas Cage plays a rogue detective who is as devoted to his job as he is at scoring drugs while playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abandon. Complicating his tumultuous life is the prostitute he loves. Together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous. (FirstLook Studios)
when he is spotted on the street by Leigh Anne Tuohy. Learning that the young man is one of her daughter's classmates, Leigh Anne insists that Michael--wearing shorts and a t-shirt in the dead of winter--come out of the cold. Without a moment's hesitation, she invites him to stay at the Tuohy home for the night. What starts out as a gesture of kindness turns into something more as Michael becomes part of the Tuohy family despite the differences in their backgrounds. (Warner Bros.)
ands on Planet 51 thinking he's the first person to step foot on it. To his surprise, he finds that this planet is inhabited by little green people who are happily living in a white picket fence world reminiscent of a cheerfully innocent 1950s America, and whose only fear is that it will be overrun by alien invaders...like Chuck! With the help of his robot companion "Rover" and his new friend Lem, Chuck must navigate his way through the dazzling, but bewildering, landscape of Planet 51 in order to escape becoming a permanent part of the Planet 51 Alien Invaders Space Museum. (Sony Pictures)
and the increasingly eccentric oddball Johnny Depp. The film is average at best and the cheap grainy look of the film looks like it was filmed in somebody backyard like a cheap home video. There is nothing revolutionary or groundbreaking in this film and it is overlong, pretentious and feels like it has something to say that we have already seen in countless gangster films that have preceded it. Overall it is an exercise of style over substance, glossy production values taking center stage over coherent storytelling and background of character motivations.
one horribly awry, his decision to abscond with the cash sets off a violent chain reaction in a stripped-down crime drama from Joel and Ethan Coen. Llewelyn Moss (Josh Brolin) has just stumbled into the find of a lifetime. Upon discovering a bullet-strewn pickup truck surrounded by the corpses of dead bodyguards, Moss uncovers two million dollars in cash and a substantial load of heroin stashed in the back of the vehicle. Later, as an enigmatic killer who determines the fate of his victims with the flip of a coin sets out in pursuit of Moss, the disillusioned Sheriff Bell (Tommy Lee Jones) struggles to contain the rapidly escalating violence that seems to be consuming his once-peaceful Lone Star State town. Woody Harrelson, Javier Bardem, and Kelly MacDonald co-star in a distinctly American crime story that explores timeless biblical themes in a contemporary Southwestern setting.
lice force attempts to reign in the increasingly powerful Irish mafia, authorities are faced with the prospect of sending in an undercover agent or seeing their already frail grip on the criminal underworld slip even further. Billy Costigan (Leonardo DiCaprio) is a young cop looking to make a name for himself in the world of law enforcement. Collin Sullivan (Matt Damon) is a street-smart criminal who has successfully infiltrated the police department with the sole intention of reporting their every move to ruthless syndicate head Frank Costello (Jack Nicholson). When Costigan is assigned the task of working his way into Costello's tightly guarded inner circle, Sullivan is faced with the responsibility of rooting out the informer before things get out of hand. With the stakes constantly rising and time quickly running out for the undercover cop and his criminal counterpart, each man must work feverishly to reveal his counterpart before his identity is exposed by the other. Martin Sheen, Alec Baldwin, and Ray Winstone co-star, and writer William Monahan adapts a screenplay originally penned by Alan Mak and Felix Chong.
etween the characters is captured so strongly through the cinematography and the perfect setting (Australia). The Wild Things are all brilliantly played out and the pacing of the film is hurried (to accentuate the childlike impulsiveness of Max's mind). As a forewarning, this is not a film for children. It is a brutally dark and emotional film. The simple message from the story, some may have a problem with this, has been expanded into something incredibly large. It has become a tale about self reflection and allowing your mind to look at itself in order to learn what you are doing wrong. Max, the main character, is childish and immature. His anger is often untamed and he allows his sadness turn into aggression. The Wild Things are all branched out of his personality though and he has the opportunity to observe himself from an outside perspective. Its all so simply developed and displayed. There is not a moment in this movie that is misplaced or lacking of beauty.

ock sends out a vibrant and unifying signal to millions across the nation, ranging in age from wide-eyed pre-teens secretly tuning in long past their bedtimes to everyday people in need of a musical pick-me-up. The Radio Rock roster, overseen by unflappable station owner (and ship’s captain) Quentin, includes a risk-prone American known only as The Count; mystic deejay royalty Gavin; slyly amorous Dave; idiosyncratic New Zealander Angus; the rarely seen Bob; the aptly named Thick Kevin; lovelorn Simon; ladies’ magnet Mark; shy Harold; reporter News John; and lesbian ship’s cook Felicity. One night in 1966, Quentin’s teenaged godson Carl comes aboard. While Carl harbors romantic aspirations that he hopes will be fulfilled during one of the biweekly visits by Radio Rock’s prettiest fans, he also hopes to find out more about his long-absent father. (Focus Features)